KeithLemley001 150219EFrossard_MGrns_KLemley_6547 150219EFrossard_MGrns_KLemley_6551 150219EFrossard_MGrns_KLemley_6556 150219EFrossard_MGrns_KLemley_6564 150219EFrossard_MGrns_KLemley_6571 150219EFrossard_MGrns_KLemley_6585 150219EFrossard_MGrns_KLemley_6591

PAST EXHIBITION

Keith Lemley

Arboreal


Mixed Greens is thrilled to present Keith Lemley’s first solo exhibition in New York. He will present an arresting, site-specific installation that combines large Chestnut Oak sculptures with handcrafted neon, synthesizing the organic and the machine.

Always interested in scientific research connecting disparate parts of the universe through underlying geometry, Lemley has become known for large-scale, angular neon installations that unify spaces through light, color, and line. More captivating than the actual geometric theories is the process of experimentation and discovery shared by scientists and artists alike. Lemley is intrigued by the next set of questions each installation poses and the challenge of uniting materials, light, and architecture within each exhibition.

Approximately six years ago, a large Chestnut Oak tree fell on a ridge near Lemley’s studio in rural Appalachia. The trees in that area can be traced back to the early 19th century in spite of scarce nutrients and strong winds on the cliff. Lemley walked past this fallen tree nearly every day. Eventually, he began to carve the wood, exposing nearly two centuries of history. The shapes of the sculptures come from the knots, limbs, defects, and idiosyncrasies in the tree’s growth. Lemley works to reveal the underlying geometry in this natural material; he sees the cuts as a collaboration with the tree, uncovering an order and a narrative that was already there.

Neon tubes act as extensions of the wooden, gem-like forms. The lines of light become drawings in three-dimensional space, exaggerating shapes, drawing attention to characteristics of the wood, and imagining what could have been if the tree continued to grow and expand. The neon is a counterpoint to the wood formally, materially, and conceptually. Although the neon is light itself, it becomes a ghost of the carved wood.

Together, the heavy wooden forms and the delicate, yet powerful, neon create an immersive installation for viewers, recreating the wonder Lemley feels when reading about a new scientific discovery or taking a walk through the woods.

Keith Lemley splits his time between Kent, OH and Core, WV. He received his MFA from the University of Wisconsin, Madison, in 2010. Since graduation, he has had solo exhibitions every year at venues including the Urban Institute for Contemporary Art (Grand Rapids, MI); 1414 Warehouse (Madison, WI); 1708 Gallery (Richmond, VA); The Soap Factory (Minneapolis, MN); Redux Contemporary Art Center (Charleston, SC); Complexe Guy Favreau (Montreal, Canada); Smith Center for the Arts (Providence, RI); and Pittsburgh Center for the Arts (Pittsburgh, PA). Group exhibitions venues include the Museum of Modern Art (NYC); Shoshana Wayne (Santa Monica, CA); Los Angeles Center for Digital Art (Los Angeles, CA); Dubuque Museum of Art (Dubuque, IA); Family Business (NYC); Parlor Gallery (Asbury Park, NJ); and the Dishman Art Museum (Beaumont, TX). He has an upcoming solo exhibition at ROY G BIV Gallery in Columbus, OH, in 2015.

For more information, please visit keithlemley.com


Download Press Release